00:09 - Tourmaline
Portrait of Jean Maline, 2022
C-Print
10h x 8w inches
A color photograph framed in a white wood frame. The photograph depicts a light grey colored cat who is laying on their right side with their back forming a half circle, so their head is touching their feet. The cat’s face is obscured by a rainbow-colored stuffed animal, that the cat is holding between its head and feet. There are spots of bright sunlight coming down on the cat’s head, right paw, and the grey textured carpet surrounding the cat. The cat’s tail extends out of the frame of the image.
00:48 - Shannon Finnegan
Do you want us here or not, 2020
baltic birch, poplar wood, and plastic
35h x 27w x 27d inches
A wide, blue, wooden chair that reads in white letters, “I Would Rather Be Sitting.” on the back support, and “Sit If You Agree” on the seat bottom. Visitors are welcome to sit in the chair as Needed.
01:08 - Shannon Finnegan
communityhealthadvocates.org/healthcareqa/fight-a-denial/, 2021
colored pencil on paper
30h x 24w inches
A white piece of paper framed in a white matte frame, depicting a 5 x 5 square gridded bingo board with the title “Bingo For Calling My Health Insurance Company”. A few of the squares on the bingo board read, “Cry”, “Give Up”, “Placed on Hold Over 4 Times”, “Into the Hold Music”, “Mess Up The Menu Options & Have To Start Over”, and “Rep Needs to Confer w/ Colleague”.
The middle of the bingo board is outlined in a decorative circle and reads “Filled w/ Rage”.
01:49 - Rebecca Watson Horn
Untitled, 2022
oil on burlap
52h x 41w inches
A light orange and yellow painting background with thick paint overlaying a textured burlap canvas. There are abstracted letters and shapes in deep burgundy, red and charcoal. These letters and shapes extend from the top of the painting down to the bottom and appear to be in conversation and rhythm with one another. There is an exploration of spirituality and gesture to the painting.
02:22 - Chella Man
Dinner Table Syndrome, 2022
oil, acrylic, toy violin with a bow, magnifying glass on canvas
67h x 71w inches
A piece of raw canvas tacked to the wall depicting a color and abstracted scene with two figures facing one another. The background is highly decorated in bright colors and patterns in blue, light pink, chartreuse, teal, and purple. There are images of upside-down raindrops, a window leading to nowhere, and a ceiling that is patterned with hexagons with dots in the middle that appear almost cellular. One of the figures is reaching an arm out to the other with a plastic magnifying glass being held over the other’s eye. There is a plastic violin and bow secured to the surface, the violin leaning up against a blue table and the violin boy beneath an abstracted face of a figure with 2 eyes, a nose, and an open mouth. There is tension happening between the figures and a surrealist interpretation of space. The painting is hanging next to 2 wooden inscribed chairs that reflect the tension of the painting. There is a pile of stacked wood branches sitting beneath the painting on the floor.
03:35 - Gudrun Hasle
Red Hands, 2022
textile, embroidery
76h x 37w inches
A white embroidered outline of a body against a light pink background. The body has light blue embroidered letters on it, and on the right hand the words “I Have Red Hands” is written in red marker. There are red lines on both of the figure’s wrists. There is a marker outline of a heart drawn on the body, and the words “When Yu Tac My Hand It Worms My Hole Body”. The figure’s forearms read “I Woer My Hart On My Slev” and “I Have To Be Perfect”. This text is written in Dyslexic English.
04:19 - Gudrun Hasle
I Try, 2022
textile, embroidery
75h x 31w inches
A grey embroidered outline of a body against a light salmon background. The body has words that start on the right shoulder, move across the chest and down onto the figure’s left forearm. The words read “I Tay To Love My Body Bot It Fels Indpolbel”. This text is written in Dyslexic English. There is an embroidered knot over the stomach of the figure with the text “Tring Te Firl Bater”. Along the figure’s head there is text that reads “I’m Tryig To Smil Naturely” and “Trying To Pretens”.
05:03 - Marlon Mullen
untitled, 2016
acrylic on canvas
36h x 36w in
This painting is of the front cover of an art magazine. The background is white, and an abstracted black shape appears on the front. There is capitalized black words reads “Brent Waddan” on top, followed but “How Long is” and ”Pace Lond” on the bottom.
05:29 - Puppies Puppies (Jade Guanaro Kuriki-Olivo)
Title Available Upon Request, 2022
container with calf brain, liquid for preservation, estrogen, wile, spironolactone, advil and marijuana
10h x 7w x 7d inches
A glass jar with a button-handled lid sitting on top of a white pedestal. Inside the jar there is a pink and grey calf brain suspended in a clear fluid. The brain is sitting in the bottom of the jar. There is a small estradiol bottle floating upside down, and a vape pen cartridge sitting beside the brain on the bottom of the jar. There are various colored and shaped pills sitting outside the
jar on the pedestal.
06:17 - Kate Meissner
Peek-A-Boo,2022
oil on canvas
48h x 72w inches
A scallop-tiled vignetted scene with a salmon and pink rendered nude figure with a bob haircut faces away from the viewer. They are peeking from behind a pink curtain to another nude figure who is sitting and pulling the curtain up with their hands. A third figure is hidden behind the curtain, only revealing their left foot and hand, which lay against the floor parallel to one another. The colors are warm, with bright oranges, pinks, and reds.
06:52 - Panteha Abareshi
New Artifacts 7-11, 2021
silicone, PLA, sterling silver, medical grade stainless steel
3hx 4w inches per artifact; installation 88h x 80w x 18d inches
Five matte white silicone pelvises are in a line, pierced with sterling silver ball earrings and suspended from stainless steel hooks and wire from the ceiling. Three of the pelvises are slightly larger than the others.
07:24 - Kate Meissner
Stage Blush, 2022
oil on canvas
70h x 55w inches
A tiled vignetted scene with a deep-yellow nude figure on the left facing away from the viewr, their right arm extending behind a wrinkled purple curtain. There is a pair of bent knees and ankles peeping from below the curtain. A staircase extends in the top right corner of the painting, with a shadowed figure appearing to crawl up the stairs. There is a third nude, pink figure in the bottom right corner, who is bent over with a rounded rendered butt extending onto one of the sides of the scalloped tiles. The colors are warm, with oranges, yellows, and pinks, and the shadows are a warm purple.
08:11 - Emilie Louise Gossiaux
Tongue to Chin, Hand to Paw, 2021
ballpoint pen & crayon on paper
17 1/2h x 23w inches
A beige piece of paper framed in an unstained wood frame, depicting a drawing of a person’s head in profile, with their eyes closed and arm extended. There is a yellow Labrador Retriever facing the person, with its eyes closed, pink tongue extended and touching the person’s chin,
and paw reaching out toward the person’s hand. The hand and paw are close, but not quite touching.
08:47 - Emilie Louise Gossiaux
London licks Kirby’s foot, 2021
ballpoint pen &; crayon on paper
17 1/2h x 23w inches
A beige piece of paper framed in an unstained wood frame, depicting a drawing of a yellow Labrador Retriever licking a person’s right foot. The dog’s eyes are closed, and all 4 of their legs are in view. The person’s legs are an orange-ish brown color and have a few stray hairs.
09:17 - Jerron Herman
Co-created and filmed by Cayla Simpson
V::: Triptych, 2022
single channel film
25h x 42w inches
Jerron, a dark-skinned Black man with facial hair sits on a stool in front of a white drop cloth in a studio across three portraits. The first portrait is him in a black bucket hat, white tank and pants. He wears a red sash and orange socks while looking directly at the camera, blinking, as it zooms in. The second portrait is Jerron, seated on the floor lounging against the stool shirtless wearing a Victorian neck ruffle and a black Nike snap back. Below him are groups of fruit. He oscillates his gaze from internal to straight ahead. At one point his arm gracefully descends against the stool as the camera zooms in. The third portrait has Jerron seated again on top of the stool shirtless and in profile. His right arm extends in a point and his left nestles into his hip as the camera zooms in.
10:22 - Rebecca Watson Horn
Untitled, 2022
oil on burlap
51h x 39w inches
A beige and gray painting background with thick painting overlaying a textured burlap canvas. There are abstracted letters in dark purple, mustard yellow, burnt orange, and teal. The letters G and D appear at the top right of the canvas, down to the middle. The letters G and V extend
from the top left of the canvas to the bottom left. The letter M appears on the left middle of the canvas to the bottom left corner. The shapes appear to be in conversation and rhythm with one another. There is an exploration of spirituality and gesture to the painting.
11:10 - Robert Andy Coombs
Blow job, 2018
archival inkjet print on metallic paper
40h x 53w inches
A color photograph of a person in a mechanical wheelchair reclining backwards with their head facing the camera, making eye contact with the viewer. Another person stands in front of the reclining person, wearing only black and white Nike shoes with their black belted pants dropped to the ground and white underwear around their knees. The reclining figure’s arm is threaded through the standing figure’s legs and gently resting on their right upper leg. They are in a carpeted room with a made bed and a metallic blue patterned duvet cover. There is a large window behind both figures with opened white blinds revealing an urban scene.
11:57 - Panteha Abareshi
A Mistranslation, 2022
mixed media, silicone, thermoplastic, foam, steel, titanium
23h x 27w x 27d inches
A small medical walker draped in yellow, mint green, white and light pink telephone cords with pink foam secured with turquoise medical tape. The telephone cords are plugged into three outlets on the chair back that closely resembles a leg cast. A silicone foot dangles beneath the chair, acting as a 5 th stabilizing leg to the chair.
12:34 - Christine Sun Kim
Hand Palm, 2022
charcoal on paper
16.5h x 16.5w inches
A white piece of paper framed in a white wood frame. There is a shape of a “V” that is curved around the edges and colored in with thick black charcoal. The works “Hand” and “Palm” are in the crevices of the valley and written back-to-back. The piece depicts the ASL sign for “echo”. The bigger or more gestural the sign, the stronger the interpretation is received. This work represents a thick black echo, or a strong interpretation of what is being communicated.
13:14 - Marlon Mullen
untitled, 2017
acrylic on canvas
30h x 40w in
This painting is of the front cover of an art magazine. The background is light blue, and there are 4 light tan shapes stretching towards the middle of the painting. These tan blocked colors are touching thin lines, with yellow, red, and orange alternating colors. There is black text reading “Art in America” in the top lefthand corner and “8 10 September 2013 100 Years c” is in the bottom right corner. There are no spaces between the letters, and some of the letters are capitalized and other lowercase.
13:55 - Puppies Puppies (Jade Guanaro Kuriki-Olivo) and Chella Man
Title Available Upon Request, 2022
oil on canvas
30h x 40w inches
A white gessoed canvas with black text and outlined symbols. There is text is in the middle of the canvas revealing the words “Ocean”. There is a symbol of molecular water, H2O, 2 turtles with crosses on their backs, 4 swirls, a daisy flower with a face, and other shapes that appear to be of indigenous symbols. The shapes and symbols are decorating the surface of the canvas, and in various sizes and orientations.